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Really an ideal macro lens! In addition to what Urbex Mark wrote, you're counting lenses that Panasonic has listed on a roadmap as if they were available. It is characterized by its versatile, “normal” angle of view that’s popular among portrait, food, and still life photographers, as well as the fast maximum aperture of f/1.4 that’s great for shooting in low-light conditions and controlling the depth of field for optimal subject isolation. The simple fact is that Nikon (and Canon) have been developing and releasing Z-mount (and RF-mount) lenses at the historically maximum rate for the camera industry -- about 6-ish lenses per year. And its integrated optical image stabilisation (OIS) enables exposure times to be increased by up to 3.5 stops, and guarantees shake-free hand-held photography even at telephoto settings. They really are not that big. Panasonic Lumix S 20-60mm f/3.5-5.6 ($2,297.99 for the kit, Panasonic Lumix S PRO 24-70mm f/2.8 ($2,197.99), Panasonic Lumix S 24-105mm f/4 Macro O.I.S. Certainly Nikon's approach of producing extremely good f/1.8 primes at a (relatively) reasonable price and size is better than Canon's approach of producing monster lenses with monster prices. is a versatile standard zoom lens covering wide-angle to medium-telephoto with high-descriptive performance across the entire zoom range – an ideal tool for capturing from breathtaking landscapes to beautiful, mid-telephoto portraits. Focus puller? Created for full-frame Leica L-mount mirrorless cameras, this Sigma 35mm f/1.2 DG DN Art Lens features Sigma’s first prime lens design with a f/1.2 maximum aperture. The Sigma 24-70mm F2.8 offers best-in-class performance due to a sophisticated optical design that delivers high resolution throughout the entire zoom range. Coupled with its ability to soften the periphery of blurred images while enhancing the three-dimensional impression of an object, its 9.5″ minimum focusing distance makes it suitable for snapshots to tabletop photos, or any imagery where you wish to make your subject stand out. The Sigma primes are all very well and good, but many are ported DSLR designs and very large and heavy. From there, it's up to customers. We compare the Canon EOS R6, Nikon Z6 II, Panasonic S5 and Sony a7 III. As a member of the esteemed Art series of lenses, this short-telephoto prime is also distinguished by its sophisticated optical design that makes use of two FLD elements, two SLD elements, one anomalous partial dispersion/high refractive index element, and two aspherical elements to limit both chromatic and spherical aberrations for high clarity, sharpness, and color accuracy. Additionally, suiting both photo and video applications, a stepping motor is featured, which affords fast, precise, and near-silent autofocus performance. Additionally, an Optical Image Stabilizer reduces the effects of camera shake for sharper handheld shooting and the lens sports a weather-sealed design for use in harsh conditions. from Nikon. Pro was probably the wrong word. Or should I say that Panasonic sells worse? What follows are the headiest products of 2020, the ones photographers really want. Constant f/2.8 maximum aperture is well-suited for working in available light conditions and also provides greater control over depth of field when using shallow depth of field techniques. Panasonic unveils new 24, 35, 50 and 85mm F1.8 L-mount primes, https://www.sigma-imaging-uk.com/lens-item/45mm-f2-8-dg-dn/, https://store.leica-camera.com/uk/en/leica-tl-lenses, https://www.dpreview.com/news/3537938177/venus-optics-is-now-offering-six-of-its-most-popular-laowa-lenses-for-l-mount-cameras, https://www.dpreview.com/files/p/articles/8413354019/LUMIX_Lens_Roadmap_August_2020.png, DPReview TV: Best enthusiast full-frame mirrorless camera, Tamron announces 17-70mm F2.8 for Sony APS-C cameras, Sigma introduces 24mm F3.5, 35mm F2 and 65mm F2 lenses for E and L mounts, Vazen announces the 65mm T2 1.8x anamorphic lens for MFT camera systems, rounding out the 3 lens lineup, Sigma 65mm F2 DG DN Sample Gallery (DPReview TV), Sigma 35mm F2 DG DN Sample Gallery (DPReview TV), Review: Monogram Creative Console - a refinement of our favorite modular editing hardware. The Panasonic Lumix S 24-105mm f/4 Macro Lens with O.I.S. The view angle makes it easier to shoot indoors where room space is limited and minimum focusing distance of 5.9-inch (maximum magnification 0.43x) supports close-up photography. Hopefully rather smaller. Announced late in May, Panasonic’s Lumix S 20-60mm f/3.5-5.6 (S-R2060) lens is the latest kit lens for its S-series cameras and the company’s seventh L-Mount lens. Here are our top recommended L-mount lenses for Panasonic S5 mirrorless camera. ($1,297.99), Panasonic Lumix S PRO 50mm f/1.4 ($2,297.99), Sigma 45mm f/2.8 DG DN Contemporary ($549), Panasonic Lumix S PRO 70-200mm f/2.8 O.I.S. Designed with great care to ensure that both the in-focus and out-of-focus areas of the photograph are equally satisfying to the eye, this Sigma 105mm f/1.4 DG HSM Art lens is truly a “bokeh master”. This is a reliable lens engineered for precision, performance and ease of use. Cage.. maybe.. but you could just build your cage to suit the largest lens you are going to use for the job and that solves that problem. Thanks to the mechanism that suppresses focus breathing, smooth and high quality video recording is made possible. Sigma's new primes promise very good performance and light weight, when paired with L-mount and Sony E-mount mirrorless interchangeable lens cameras. I wish they would release more 1.4 primes of the same caliber as the 50mm... the only prime they've released so far.I appreciate that some people like smaller lenses for traveling, but personally I find absolute image quality more exciting. Vaporware no more: the much-speculated-about Zeiss ZX1 has arrived. Though for a fair comparison, one should compare these 11 lenses with the full Nikon set including stuff on their roadmap. It also has a rounded 11-blade diaphragm that helps produce smooth bokeh and comes with a lens hood to protect the front element and help prevent lens flare. Sigma has introduced its new 'I series' of compact, premium full-frame lenses for E and L mounts. Panasonic Lumix S PRO 70-200mm f/2.8 O.I.S. A rounded seven-blade diaphragm contributes to the smooth bokeh, and a lens hood is included, which can protect the front element as well as prevent stray light from causing flare. With the new Pro Display XDR Calibrator and accompanying firmware update, users can now recalibrate their Pro Display XDR monitors. The S5 is compatible with L-mount lenses, available from Leica, Panasonic, and Sigma—the L-Mount Alliance—and is bolstered by third parties offering boutique manual focus optics. Photographer and YouTuber Todd Dominey has shared a video that details the history of Kodak Aerochrome film, a film stock he says has 'an origin story unlike any other.'. Glad you’re enjoying the S5 so much. The LUMIX S1R is ideal for taking high-resolution images, the LUMIX S1 is an advanced hybrid camera for high-quality photos and videos, and the LUMIX … Having said that, I still like what Nikon did with their f1.8 offerings than what Canon is doing so far (no sealing, worse AF motors, etc.). I don't think you will get a higher grade of 1.8 out of them, but you will probably find more pro – oriented faster lenses available from Nikon, now or in the future. In number of lenses, Nikon is still ahead even if only looking at the first 19 months of their system. ... Used in conjunction with other members of the L-Mount Alliance, the L lens mount is a versatile interface with a mount diameter of 51.6mm and a flange distance of 20mm for working with a … If this photograph is of the actual lenses (https://www.dpreview.com/files/p/articles/8413354019/LUMIX_Lens_Roadmap_August_2020.png) I'm going to guess that the 24mm, 35mm, 50mm, and 85mm lenses are roughly 9cm long (based upon measuring the lens mount width on my screen, comparing it to the know width of the L-mount, and doing some back of the envelope math). Focus breathing is suppressed making it an excellent choice for video recording. Complementing the flexible wide-angle design is a sophisticated optical layout that utilizes a pair of aspherical elements and three low dispersion elements to reduce spherical and chromatic aberrations throughout the zoom range in order to realize a high degree of sharpness, clarity, and color accuracy. All content, design, and layout are Copyright © 1998 - 2020 Digital Photography Review All Rights Reserved. It has a series of low dispersion and aspherical elements that minimize both chromatic and spherical aberrations throughout the zoom range, rendering clear, sharp, and color-accurate photos. Panasonic claims that the image stabilization of S5 is effective up to 6.5 … Debuting the world’s first 1.8 wide-angle lens, the Sigma 14mm F1.8 Art incorporates the same groundbreaking aspherical element as Sigma’s critically acclaimed 12-24mm F4 Art.

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